Capturing the feel of a large, wet, and hungry grizzly bear just a few dozen yards away can be challenging. In this video, I’ll show you some of my processing techniques that reveal the characteristics of the animal while holding the viewer’s attention.
I’ve processed many photos of grizzlies over the years, and every time I’m amazed at these huge creatures and the power they have.
My goal with wildlife photos is to help people experience what the photographer saw, and the many qualities of the animal that have to translate into the 2D medium of photography.
Thanks to Dan Brown for letting me show you how I processed his photo.
You might be overexposing your photos without even knowing it. In this tutorial I’ll show you how I use RAWdigger to evaluate my exposures to see how well I did, and to pick the best file for processing.
My landscape photographs are often about light as much as they are about the subject. Light has a mystery, a majesty, and a power all its own that captivates me. When I go out to photograph, more than anything else, I’m looking for light.
I’ve made this short film to express how light inspires me. I hope it also inspires you to look for the beauty found in light!
A lot of people ask me why I use Photoshop instead of Lightroom, so I made this video to try and answer that. This image is a great example because of it’s extensive use of masking and individual adjustments for each layer. Photoshop’s masks let me take control of any area with great precision and make it very easy to modify my masks should I change my mind. Being able to use a different curve with each mask lets me carefully control contrast. And it’s very easy to make layers and masks work together and not against each other. Once you learn how to do this, it’s a quick, easy, and fluid process. I find that important because the ease helps me express my creativity with less effort which makes it easier to be more creative. Do you know how to make changes like this in your photo software of choice? Tell me what you think!