Are you ready to start processing your black and white photographs like a master?
In the last year, I’ve helped hundreds of photographers improve their B&W processing through my talks and workshops, and I’d like to help you, too. Wednesday, January 12, I’ll be starting another round of my popular four-session Zoom class, Classic Black and White Digital Processing.
My talk at the B&H Photo Event Space provides a great (and free!) introduction to the workshop. It touches on many of the subjects this class will explore in greater depth.
Every time I teach this class, it’s rewarding to see how the participants improve their photography and processing skills each week. Here’s what my students have to say about the class:
I have found the class to be outstanding, not only for learning techniques that are new to me in creating a B&W image, but also the creative ideas to draw the viewer into the scene. – Brad K.
I want to thank you for your classes and all the extra effort you’re devoting to your students. The information is worth far more than than the price of admission. – Al H.
This class has introduced me to new tools for vastly improving my images. – Dennis W.
We’ll meet for four online sessions, each Tuesday through February 2. Each session lasts two hours. The first hour is live instruction, where I teach the techniques I use. During the second hour, I show how I apply those techniques to YOUR photographs, providing insight and critique that will help you learn and grow.
Each session will be available to re-watch online for two weeks after the class, allowing you to go over the content again, or watch at a different time if you have a schedule conflict.
I’m working on an article, and it turns out the Curves slider in Adobe Camera RAW is very limiting. The graphic above shows the curves required to produce the equivalent of +25, +50, +75, and +100 with the curves slider. The most pronounced curve is the +100, and the least pronounced (from the 1:1 slope baseline) is +25.
I’ve been meaning to do this for a long time, and honestly I’m a little shocked by the results. Even at +100, the curves slider is weak sauce, and doesn’t even begin to harness the power of curves.
What I’ve seen so far makes be glad I bypass the contrast slider and go right to curves. I’m looking forward to running some more experiments and developing a more in depth article.
Does the new Enhanced Detail feature in Photoshop and Lightroom really work? It does, at least for me.
Heres an example of the same RAW file processed with Enhance Details on, and with it off. This is a screen shot at about 400% magnification.
You might have to zoom in to see this on your device, but when viewed at full resolution, I can clearly see that all the lines of the branches, and even the edges of the flowers are smoother and more refined. With it off, there is much more aliasing, very blocky in-fact.
Enhanced Details may work better with some sensors than others. I’m hearing from photographers that see no effect, but I’ve seen plenty of examples where it does work. So you’ll have to try it yourself.
For my Sony A7RII, it clearly does work, and this refinement of detail will allow me more options when applying unsharp mask, as well as resolving finer detail. It’s now my default processing option. I just wish Adobe would integrate it better into the workflow instead of the current requirement to export to a DNG first.