The Lasting Connection of Prints

When someone has a print on the wall, it creates a lasting connection between the viewer and the photographer. A print on display is unique because it exists in the viewers space on a daily basis. It becomes more than just a quick glance on the bottomless social media feed, or even the impulsive “like” that drives the algorithms. A print becomes part of the viewer’s life, and a point of continued dialog between the photographer and the viewer.  

Like many photographers, I’ve collected prints over the years from friends and artists I admire. Even after seeing them every day for years, they continue to bring me joy, and I can discover new things within them. But they also bring me back to the moment I connected with the photograph, and the photographer. 

That ability to connect is what makes a print so powerful. If an artist or a story moved me enough to put it on my wall, the print serves as a portal to reconnect to that artist and their story over and over again. It’s built a relationship in the way reading a good book does, or a fine conversation with friends. It’s a mile marker, a touchstone. It makes me, as the viewer, somehow more invested in the artist, and every time I view it, renews that investment.  

It’s this “viewer investment” that begs us to give more consideration to sharing our work as prints. What photographer doesn’t want a more invested audience in an era of visual saturation?

At its simplest, that investment is in the photographer’s story and vision, whatever that may be. And a photographer’s story and vision can do powerful things. 

I’ve seen it save the last un-fished ocean, stop destructive mining, bring attention to threatened species, bring back memories of a long lost family member, and so many other things. 

Photography has an ability to connect us to current and historical events, people, places, and things like no other art form. It makes the sharing of that story between photographer and viewer a more personal connection. And it turns that connection into a long term conversation. It’s not gone in three seconds like an Instagram post at crappy resolution, it’s not on a shelf like a book that rarely is viewed. It’s on bold display for all who pass, sharing it’s story over and over again. 

That is why the effort to make prints, sell prints, and display prints is worth being part of a photographers endeavors, and why I, as a photographer and printmaker, am so passionate about making well crafted, expressive prints.

We Choose To Go To The Moon…

I’m pretty excited about the 50th anniversary today of Neil and Buzz taking those first steps on the moon ,so I want to share some of my photos of the space program. 

I grew up vacationing in Cocoa Beach, right next to the launch site of Apollo 11. Some of my earliest memories are of visiting Kennedy Space Center and seeing the rockets at the visitors center. It’s always given me a sense of being able to touch history to visit there, and made what I saw in childhood picture books “real.” 

That fascination has carried over into adult hood. For about a decade, I’ve been working on a project to capture the rockets and other artifacts of spaceflight with the expressive qualities and clarity that is possible in a fine art photograph. 

The anniversary celebrations today seem  an opportune time to share some of this work with a little more context.  I hope you enjoy it and that it captures some of the wonder of that amazing adventure we started so many years ago. 

First stage of the Saturn V rocket that took us to the moon with its enormous F1 engines.
Launch Pad 39A where Apollo 11 launched from on July 16, 1969.
Forest of Technology, F1 Engines, Saturn V S-IC.
Apollo Command and Service Module.

Speaking with Light – The Essence of Photography

My landscape photographs are often about light as much as they are about the subject. Light has a mystery, a majesty, and a power all its own that captivates me. When I go out to photograph, more than anything else, I’m looking for light.

I’ve made this short film to express how light inspires me. I hope it also inspires you to look for the beauty found in light!

Last Across the Pass

Tioga Pass, Elevation 9945 feet, Yosemite National Park

Sometimes a few minutes is the difference between a 3 hour drive home or a 9-12 hour trek around an entire mountain range. This October night in 2016, I pushed it right to the edge. 

Yosemite’s Tioga Pass Road, peaking at 9945 feet elevation, provides access to the stunning Eastern Sierra, but can close suddenly during storms. The Yosemite photographers call this gamble “East Side Roulette”, and it’s a game of “will the storm close the pass before I make it home.”

After an exceedingly windy day exploring aspens with my family, the approaching clouds said it was time to go. I swear I heard the drums from the Braveheart soundtrack driving me to hit the road. If we didn’t stop to eat, it would be three long hours before the next food services. My wife wanted to stop and eat at The Mobile Station, but I convinced her to just get our food to go, the urgency of the storm in my head. I munched down my pizza while driving up the steep drop-offs of Tioga Pass to quickly worsening conditions. 

As we reached the top of the pass, the snow was already starting to fall, as you can see in the zoomed in crop. I stopped to make one last picture as the light faded, as I knew some big life changes were coming soon, and I wanted to mark this personally meaningful day at one of my favorite places. 

Faint streaks of spitting snow that would become a giant winter.

We resumed the drive, and snow started to cover the road, with no lines and only one fading set of tire tracks to follow, and no car lights behind us. I know the road very well, but it was still dicey. The knowledge that we would drop below the snow soon pushed me forward, and I was watching each landmark to measure how far we were from that safe haven. At this point, it was better to continue than go back. And soon we were below the snow, on dark, wet, rainy winter Yosemite roads. On our drive across the pass, we saw no one in front of us or behind us, even after stopping for a few comfort breaks. A few cars passed going the opposite direction, but then all traffic died. We had the road to ourself. 

About an hour later, Flashing Ranger lights greeted us at the Crane Flat gate. We weren’t in trouble. It was just a Ranger closing the road. Eastbound traffic had been closed for some time as evidenced by the lack of cars passing us. And the west bound lane was only open for people to exit the Tioga Road. As my wife looked back, she saw the Ranger close the gate behind us. We were the last car across the pass. 

Sometimes a storm only closes “The Pass” for a few days, but this was not the case in 2016. Once it started snowing that night, it never stopped. The second biggest winter in recorded history was upon the Sierra, that led to over 700 inches of snow in some locations.

I knew something epic was in the making that night, and the experience of being last car across that night is pretty cool. It was certainly memorable, and yes, I heard those Scottish drums from Braveheart driving me on the whole way. 

2016-10-15 17:11:27.088, give or take an hour for DST

Nikon D810, Sigma Art 35mm f1.4, 1/30 sec f/4.0 ISO 800